HIS STORY
Creation is a journey where art and nature meet, leaving a fleeting trace of freedom and beauty.

“I once had a studio. A real one—with a roof, walls, a space dedicated to creating. But I never felt at home there. Too confined, too removed from the real world. Creation needs movement, air, the unexpected. That’s where inspiration is born.”
Before becoming an artist, I shaped my body and mind through high-level sport. Paragliding taught me to read the wind, understand space, and play with the elements rather than try to control them. In that constant interaction with nature, my eye was forged.
Today, I work where art isn’t supposed to exist: on remote islets in the marshes, in wild, untouched landscapes, or on any natural surface ready to be transformed. My studio is the open space where the work must come to life—without limits. Every surface becomes a conversation with the environment. I choose natural paints to respect this fragile world and to leave a trace of what I feel without leaving a harmful trace. It’s a conscious approach, an act of preservation—almost a form of protection.
I paint with a sprayer, in the moment, without a safety net. Every gesture speaks with nature, answering what it offers me. Everything is ephemeral; everything can disappear. What remains is commitment. It isn’t about creating for creation’s sake, but committing to a moment—capturing the world’s beauty in its fragility. Each work carries this unique interaction between place, body, nature, and paint.
HIS FOUNDATIONS
My practice rests on three pillars: the poetry of transience, harmony with nature, and a profound respect for the environment.
Ephemeral & Poetic
Each creation I make is destined to disappear.
I paint directly on earth, grass and stone—and let rain, wind or time erase the work.
This ephemeral nature is essential: it reflects the fragility of beauty, the idea that nothing is fixed. My pieces are like moments of poetry, offered to those who discover them before they fade away.
Dialogue Between Art and Nature
My inspiration comes from the meeting of two worlds: street art, born of the city, and land art, rooted in nature.
When I paint a face, a silhouette or an animal on the ground or on a wall, I’m not trying to impose my gesture, but to enter into dialogue with the environment.
Every rock, every tree, every river shapes the composition. My works are the fruit of that conversation between me and nature.
Respect for the Environment
I’m committed to ensuring my art leaves no harmful trace behind.
That’s why I use natural, biodegradable pigments that blend into the earth without polluting it.
To create, for me, is to honor nature, not to constrain it.
My practice is consciously responsible: I seek to enhance landscapes without ever altering their essence.
Ephemeral & Poetic
Dialogue Between Art and Nature
Respect for the Environment
Each creation I make is destined to disappear.
I paint directly on earth, grass and stone—and let rain, wind or time erase the work.
This ephemeral nature is essential: it reflects the fragility of beauty, the idea that nothing is fixed. My pieces are like moments of poetry, offered to those who discover them before they fade away.
My inspiration comes from the meeting of two worlds: street art, born of the city, and land art, rooted in nature.
When I paint a face, a silhouette or an animal on the ground or on a wall, I’m not trying to impose my gesture, but to enter into dialogue with the environment.
Every rock, every tree, every river shapes the composition. My works are the fruit of that conversation between me and nature.
I’m committed to ensuring my art leaves no harmful trace behind.
That’s why I use natural, biodegradable pigments that blend into the earth without polluting it.
To create, for me, is to honor nature, not to constrain it.
My practice is consciously responsible: I seek to enhance landscapes without ever altering their essence.